The Beautiful, Devastating Leftovers

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The Walking Dead sucks so much. It’s not that it’s a bad zombie show, it’s that it completely misses the point of what it should be. The idea to me of every apocalypse type show isn’t the big event that made it all happen, but how this event affects the people on a personal level and how it messes up every single relationship and sense of normalcy. Sure, zombies are fun and the threat of them is scary, but what really matters is the universal idea of being without your sister, your father, your dog, whatever, who cares, what caused it, forget zombies, how are you dealing with this very real issue of this massive change to every facet of your life?

Enter the goddamn “Leftovers,” the most depressing show ever that I thought, “well, goddamn, I never thought a TV show would entirely get ME, and it kind of sucks when said show is one of the most depressing of all time and what that says about me, but here we are.” See, The Leftovers is a show about 2% of the population disappearing and instead of really focusing on exactly WHY that happened, it’s more concerned with HOLY SHIT, how am I supposed to deal with so-and-so randomly being eliminated from my life. It’s a show that really doesn’t care beyond some brief broad strokes how they got to this point and what could be the mysterious thing that caused everything to happen, but instead the here and now of these people dealing with this very real fallout.

I have upper echelon shows that I always refer to as my favourites, with the idea that nothing currently could touch them and certainly not right away. The Sopranos, The Wire, The Shield, Mad Men and The Simpsons are my big five perfect shows and I thought it would take awhile for something to sit in that company, but what The Leftovers has accomplished so audaciously building in quality season over season and with the absolute masterclass of a finale, it has shot right up there. I can’t remember the last time I’ve been moved and effected by a show like this. Not that there hasn’t been a good bunch of shows since then that I enjoyed, but it weirdly makes me feel alive that there is new art and television still able to be created that makes me feel so much (and it especially a show like this that puts FEEL in all caps) and evokes such emotion out of me like this one.

They only had three seasons and 28 episodes in total, but it was such assured and focused appointment TV that everything was struck with meaning and no note was left wasted. This is a show that literally got better season to season, and sure there’s only three seasons, but I’m remised to think of a show off the top of my head that did it quit like this. Its first season was more concerned traditionally with what you’d think about the show, where it was trying to find out more of the mysteries of what was behind this all, season 2 was delving deeper into these people and their progression beyond what happened and season 3 was about resolution and finding a way to move past things if you can and how it shaped your future life beyond just being defined by this event.

I could go on and on and on, but mainly I wanted to write this because of how perfect the finale was. The Leftovers was in a spot where it could’ve went ANYWHERE for the finale, it could’ve went all supernatural and really honed in on what caused everything, it could’ve just went weirdo insane, but what it ended up doing so beautifully was telling a small love story that played like a foreign film or something. Because at the heart, crux and end of it all, The Leftovers is a love story about Kevin and Norah. The whole hour plus episode was a literal masterclass of acting, emoting and reacting from Carrie Coon and Justin Theroux. I can’t even quantify how good both of them are and I’m going to be pulling my hair out when they don’t get any awards love. What made the finale so good on top of all that is you got the whole base love story/reconciliation angle that shaded in one side of things, and then you got Norah giving the mystery-interested people their answer of her going to the other side where the people on this world disappeared to and delivering the simple yet perfect yet devastating realization that they had their own “Leftovers” event but instead of 2% of their population disappearing they had 98% of theirs disappear to the other side. Norah realized she had no place in that world and came back to her original world. Now watching Carrie Coon deliver her monologue with such conviction it seems so true, and I believe her. But, there are others who believe she made up the whole thing to Kevin and that she did absolutely none of that. I don’t know if there’s an answer and I think it was precisely meant that way for you to interpret the meaning how you will. That’s where the finale works on another level, leaving that dangling thread for people to argue with years later, but nothing too extreme or over the top that it leaves people dissatisfied or missing a piece, just a lynchpin in how two different types of people approach one idea, can there be two truths?

This is basically 1,000 or so words of gushing, but damn am I so happy to do it when it feels like forever since I’ve felt this strongly for a show. I guess in a weird sort of way it’s kind of ironic that this soul-crushingly depressing show has reinvigorated some spirit inside of me, but I wouldn’t have it any other way. The Leftovers was a raw nerve of a show and one that wasn’t afraid to get to the rotten core of everyone and reveal said rottenness, but maybe also sparring a few seeds for some future revitalization. It never sacrificed the “real” just because maybe that would make for a more palatable TV show, it bared everything out front and dared you to stick around, because things might suck a lot in the moment, but there’s always that glimmer in the future, another person or an idea that keeps you moving and keeps you alive.

‘Battlestar Galactica’: Season 4 Review

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Season four and the series ends with a drive towards the finish line from the start of the episodes and never lets up until all is revealed, for better or worse. I’m happy to say that what I hoped this season would be, in that it was a season of television focused on wrapping up and explaining what it had been building to this point with few distractions, was exactly what I got. Unlike in previous seasons there was less of the one-off episodes that just seemed to fill a hole or expound upon the ideals of a certain character, with this season focusing on the overall narrative of the series and attempting to wrap it up. Not that makes things particularly easier or anything, as this show had seemingly more storylines and mythology than I can easily recall at a glance, not limited to what the heck is ever up with Starbuck and her returning from the dead, the final five mystery Cylons, whatever is ongoing with Number Six and Baltar, Adama/Roslin, and then of course the whole thing about finding an “Earth” to settle on and whatever “force” is driving them to find it.

Ultimately, I kind of didn’t realize until they were on the downwind of things that the show indeed had a ton of mysteries and plot all going at once and driving headwards into a conclusion at the same time, which felt kind of clustered with a lot of reveals or explanations just thrown to the side or explained away in the most base way possible. I mean, like it or not you got explanations to overall mysteries, but the payoffs with how the Kara Strace character was revealed and the prominence of the Final Five did not seem to be equated to how they were built up or brandished to how important we were supposed to perceive them as. In the end the show bit off a bit more than it could chew, and like I’ve mentioned before, a more toned back and focused show (in both episodes and narrative content) would’ve made things work a lot better and allowed their main ideas to breathe and be developed more.

In the end it’s not like I was totally offended by how things ended so abruptly or without too much concern to being faithful to its buildup. As well, I was only committed to this show for a few weeks, compared with people who watched over years and had realtime commitment and expectations in a show that carried them this long with these mysteries only to underwhelm in explaining what largely the whole point of the show was. The majority of these endings being explained with some religious connotation whether some characters were “angels” or the entire fleet was being directed and influenced by some kind of god didn’t really alienate me or feel cheap to me because it still felt very much like a key tenant that this show believes in. The show from day one was always more interested in ideas of religion or spirituality in driving characters, being a framework for human civilization in whatever format (ie. on Caprica, Battlestar, new earth or whatever), and just largely being something that hung over the machinations of plot and any of the science fiction devices. It goes back to knowing that the show was far more interested in doing something beyond prototypical “science fiction” means, and sure near the end they compounded things too much, but it still remained faithful to what the show was, just that it seemingly came out of nowhere and became the forefront of answering away many of the show’s mysteries.

Coming away from the show I definitely have a greater appreciate for not only the show itself, but what can be done not only within the science fiction genre and within any genre where you take the basic tenants of it and either build something new off of it or use its typical framework against it. It managed to not only be a good science fiction show, but also a show that would’ve been just as good with the sci-fi elements devoid and removed from its fantasy metaphor and put in a real-world situation. I can’t say that I completely fell in love with the show or anything like that, but it was consistently good throughout its run where I can’t pick out a stretch or season that was particularly bad, but indeed it was quality from the outset. Battlestar Galactica was a show with a sci-fi backdrop that never intended to settle with being just that, and in doing so pushed it to become something that took elements from shows previous to it and morphed it into genre faire that was more about seeking answers and trying to understand what it means to be “human” and the relationships that falter or strive from this pursuit.

‘Battlestar Galactica’: Season 3 Review

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Season 3 of Battlestar Galactica sees the show in unfamiliar territory with the main action not taking place on the Battlestar, but instead shows the imprisonment on New Caprica and the efforts to escape. I enjoyed this little mini-arc that served as a nice breather as the show used to do more frequently in the beginning with placing the characters off the ship, so it was a nice change of pace to see the characters having to deal and interact with this new space. I would’ve even liked to see them stretch out this time on New Caprica and parse it a little more, but I understand them not wanting to dwell too much on this and get back to their status quo with adventures on the ship. Really, the whole idea of putting them on New Caprica was just a nice cliffhanger for the second season finale and something they easily remedied early in the third season, and not an actual game changer in the landscape of the show like I thought it would be, but one does wonder how it could’ve played out more largely to the overall end game of the show and not just a quick roadblock for an easy cliffhanger.

The rest of the season falls into a similar pattern from the second season. There’s a mix of bottle-esque episodes where a story will be largely self-contained within one episode mixed in with the episodes that push the series long storylines forward with their pursuit of earth, they mysteries behind Starbucks and what she possibly possesses in their quest for freedom and the quelling on inside and outside Cylon threats. Immediate Cylon attacks and confrontation seem to be a bit mellowed in this season where there is less one-on-one battle and meetings with them in their physical form, yet the show still manages to portray their threat in the continually wracked nerves and sanity of the crew, who seemingly keep getting stressed piled on top of them until it breaks. Thus, the show further explores the relationships between Starbuck/Apollo, Adama/Roslin along with Baltar/Number Six, which all work fine enough, but the way the show handles its relationships all seems very “high school” and immature at times with me. As a matter of fact the show feels like some teen drama at a high school at times with its petty dealings between the populous and dalliances between the crew.

While I enjoyed the switch between stand-alone episodes and series storyline pushing episodes, it felt very stop and start and by the end of the season there wasn’t all THAT much accomplished in the 20 episodes that really felt getting any closer to unlocking the what the show is supposedly driving toward. Really it was only the last couple of episodes that really pushed things along, with the Baltar trial (which was really good and my favourite stuff from the season possibly) and Starbuck’s disappearance. Its that sometimes the feels a lot more of a hangout-type of show with the stand-alone episodes seeming rather pointless and often feel just-like stop gaps or episodes the show had to fill until they could get back to the ones that pushed the plot forward. In that aspect I would’ve love to have seen the season episode orders shortened to 10-13, so the show could focus on moving the story along at a nice clip, without having to add in these filler episodes that stunted the momentum of the season.

I’m looking forward to season four, though, because they’ve done a pretty good job so far in teasing all these mysteries and secrecies behind finding earth and possible special forces living in certain characters pushing them to these certain places (BSG loves its religion analogies) and I’m sure we’ve still got more things to learn about the Cylons. I’m really hoping for a mad dash to the finish line with the show perfectly set up to wrap things up, especially with them not having been on for so long that they’ve worn out their welcome or haven’t compounded their mystery and complicated it by putting it through the wringer so many times that it doesn’t make sense anymore *ahem*Lost*ahem*, so basically don’t screw up this ending is what I’m saying.

‘Battlestar Galactica’: Season 2 Review

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Battlestar Galactica is the exact same show as The Office. I’m serious. Alright, not completely, but I couldn’t help but think of similarities between the two as I made my way through the second season of Battlestar. I knew coming in and from what the first season laid out that it was less going to be a “science fiction” show in the classic sense you might expect of them visiting new planets each episode, battling aliens (Cylons in this case) in epic battles all the time and just generally combating with various fantastical concepts and beings. Yes, there is a portion of that in the show, but largely a lot of this season concerns just the goings on on the Battlestar ship and all the drama, tension, fights and so on that would just naturally occur from these people basically creating a new world on this lone fleet that are constantly in danger, heightening all the emotions.

Where The Office gives you a comedic take on the slice of life and inter-office happenings of a local paper company, Battlestar Galactica gives you a dramatic (and sometimes comedic) slice of life and inter-office happenings of the last remaining humans on a spaceship trying to find refuge and avoiding the cyborg beings that eliminated the majority of their race. Both take on the same concept, just in slightly different ways. Battlestar doesn’t need to be visiting a new planet each week and encountering new races and having epic dog fight battle each week, they do have them, but it’s connection and building of these characters, their values and relationships actually make these moments when they are in peril from Cylon attacks or encounter something new and revolutionary to their cause mean that much more because of how well all the character and inter-relationship ties are woven together. I mean, sure, this show was on Sci-Fi after all, so it’s not like they had the budget to be going all out on epic science-fiction-y thing each episode, but even still the show’s not really about that.

It’s no secret and is largely what this show was founded on, but the science fiction backdrop of the show is really superfluous when you really get down to it, with all the themes and storylines the show develops so easily able to be lifted and placed onto any other real world dramatic show. Sometimes I feel the show hits it a little too on the head, largely with the whole analogy of the Cylons being some kind of invading sect like “foreigners” from another country and the danger they pose, like being compared as terror threat. The science fiction aspect on the other hand gives it a good dimension to explore societal topics like abortion, which doesn’t seem too shoehorned in just to give them an excuse to debate the sides of the issue. The world of the show that has been set-up allows this abortion debate to actually mean something within the show with the deepening debate of whether they should keep a baby alive because it’s a live being, going against the fact that it’s a Cylon (the things out to kill them). A lot of the societal parallels are very blatant and on the nose, and I mean it’s hard not to be because if you just subtract the presence of the Cylons and the establishing shots to show this is in space, the show just looks like any government drama you see dealing with real world problems, because these are all real world problems, they just sometimes have to deal with cyborgs. Also, the show makes no qualms that it’s a lot more interested in telling stories of power struggles, political dealings and how the human condition reacts in extended periods of peril over the constant shoot ‘em up alien fights you might expect from some a show like this without knowing much about it.

Season two works well because it balances all of its elements quite well. There’s a lot of episodes just concerning the inner-goings on of the ship and the dueling powers, that largely just develops the people and their motives, which sometimes comes close to spinning its wheels, but then they’ll throw in some episodes that push the plot along, or begin to unravel or reveal things that’ll play out in full later. The ending of the season does well to highlight this and also assure that they’re not content with keeping the status quo that was maintained throughout the season of being removed from a huge Cylon threat. As soon as we think the people have found a worthy planet capable of habitation the Cylons are right on their track, taking over the planet and imprisoning all of our characters as the season ends. That’s something I continually love about this show, how it constantly gives the characters a brief moment of happiness or satisfaction and then the rug just gets pulled right out from under them. It does well to establish and further the condition of these people and how much of a constant threat the Cylons are even when they think they are free and clear. It’s just like any normal life really, just a series of highs and lows and learning to enjoy when you’re on top because the bottom could just be around the corner, and who knows what it will hold.

‘Battlestar Galactica’: Season 1 Review

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I’ll never contend to be the biggest sci-fi fan, I tend to like my fiction grounded in reality without the additions of the fantastical like time traveling, clones, aliens, new worlds and so on. I especially don’t like these elements when they’re solely used off their gimmicks alone, while yes in certain context I may like some of these elements, but when they’re just added for a “cool” factor and have no bearing on the “real world” of the piece’s story, it remains just a gimmick for you to watch it and has no real value outside of that. Battlestar Galactica treats its science fiction smartly and allows the show to feel very much like a grounded in reality fiction story that just so happens to feature these elements.

Now I know Battlestar Galactica isn’t the first science fiction show to reflect or highlight real world ideas and concept through the eyes of a sci-fi world, but it certainly does well to exemplify that as a major tenant, but still includes base science fiction tropes because that’s what kind of show it is after all. The plot itself is very straightforward and basic, where the Cylons (a cyborg group of bad guys) destroyed the Colonies (planets where humans lived aka the good guys), and the Battlestar Galactica ship, one of the last remaining ships, takes upon itself to lead the survivors to a new safe haven and fight off whatever Cylon threats get in their way.

The mysteries and unknown of the Cylons is really well done, with the show positioning this creepy element to start the series mentioning how the Cylons had been unheard of for years until the day that they decided to destroy civilization, leading hanging questions of why and why now. The Cylons also have the ability to become fully humanoid where many of them are seen as clones to the actual human version of a person, adding another mysterious element and an easy move in the back-pocket of the show as they could reveal pretty much anyone as a undercover Cylon, so that always lurks in the background.

What truly makes Battlestar Galactica stand out is its very real world happenings and many different layers of a genre show that’s not always just a science fiction show. The battling members in charge between the commander of the Battlestar Galactica William Adama and the president of the Twelve Colonies Laura Roslin posits this struggle for power between the two where they try to play nice as much as possible, but their contention is always bubbling underneath. As such the show plays a lot of the time like a political show like The West Wing where it concerns much finagling and political discourse to enact measures and figure out what to do with these people when they’re not only on the run, but nobody is truly in power under any “legal” means.

Along with both leaders, pretty much everybody in the show is portrayed as being very strong, especially the female characters which you don’t often see, with Starbuck being our defacto underling protagonist as a badass pilot who doesn’t take orders from anyone. Number Six is our view into the head of humanoid Cylons who is as cunningly dangerous as she is beautiful, where they never really cheapen her by using her seduction as anything more than her trying to get her nefarious means any way she can.

Something that I love about this show, too, so far, is that it’s not really about happy endings so much and continues this underlying theme of depression throughout. If something happy happens be sure that within a few moments something will pop up to upend that. It’s refreshing to see a show that doesn’t consistently put their good guys on easy street and for every mission to be a cake walk, where here everything at least seems to be of more of an importance given the true underdog stakes that the Battlestar Galactica always seems to be facing against the Cylons.

The first season does a good job of setting up this world, posing questions, outlining the stakes and positioning characters and ideas to where things might go. It seems like a framework so easily susceptible to tension and upheaval which would exactly seem par for the course about a political show in the midst of an alien-cyborg attack. This world and story is wrought for deepening in not only the science fiction aspect, but also the human and societal aspect where both sides are so intrinsically tied it’s only guaranteed that aren’t going to get any easier in the increasingly changing landscape of Battlestar Galactica.

ROH: 14th Anniversary Review/Recap

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ROH finds themselves in an interesting spot coming into 2016. Things aren’t exactly booming, but things aren’t really heading into the dumps. Perhaps that’s a bit too unkind, the show and promotion is doing well, trending up, but it isn’t filled with a mass of huge angles that draw attention or super big stars that are captivating the world, when rather the wrestling world seems pretty neutral on the product that ROH is coming out with. It’s still really good, and pound for pound better wrestling than a lot of what you’ll be able to see on your TV screen. With the emergence and mainstream wrestling popularity of NXT over the “indie” brand and with others such as Lucha Underground with a fresh perspective on the business along with various indie indie (like, really indie) companies like PWG and EVOLVE, there’s certainly a lot of GOOD wrestling out there than ever before, making ROH fade into the background.

ROH has a ton of good wrestlers, potential stars and people behind the scenes to make not only a great show, but something that sticks out and becomes “must watch” to wrestling fans who already have so much content at their fingertips to watch.

The company runs a risk a lot of the time as still feeling like just a breeding ground for when their stars get super red hot and over that they’ll eventually get signed or poached away by WWE. That doesn’t have to be the case, especially if they make it a premium to push and foster the talent they have now, who have massive potential to build the company as this destination for top-tier wrestling where their characters make up the brand. They definitely took a step in the right direction locking down the Young Bucks last year and then at the end of the year re-upping Bobby Fish and Kyle O’Reilly (who are a fantastic tag team, but seem destined for more singles pushes this year) and Jay Lethal who continues to kill it in the ring and on promos as the ROH World Champion. Adam Cole is another guy who seems to have unlimited potential, and thus is always linked to going to WWE, but with the right handling of him the guy could be a star in ROH and the guy to headline the brand in the coming years.

Tomohiro Ishii Defeated Roderick Strong and Bobby Fish to retain the ROH World Television Championship:

This was the match that came out of nowhere and largely thrown together after Ishii won the ROH TV title. I was very much looking forward to the Roddy/Bobby rematch after them having a pretty great match at Final Battle, and I’m a bit disappointed we didn’t get it here since this match wasn’t very great and the story the two men had coming in was pretty good, only to get swept aside now that Ishii was involved.

Granted, it’s kinda cool that Roddy lost the belt at the joint ROH/NJPW show a wee before it was to be defended, since that never really happens and gives that shock value since you always assume once a guy is booked to defend his title at a big event, he won’t lose it between then, but not when you face someone like Ishii.

So, yeah, this match wasn’t bad per se, but definitely underwhelming especially when you have the talents of all three guys, especially ones who can crash and bang. Ishii’s style and first time in an ROH ring might’ve thrown a bit of a kink in it, but either way it wasn’t anything special, and didn’t even get much time to build until it was over pretty fast.

I thought that Ishii would give up the title with Roddy pinning Bobby or something like that where Ishii avoids the pinfall, but I guess they’re sticking it with Ishii and I guess the TV title won’t be a thing going forward on the ROH tapings, since I doubt they’ll do much if at all with it at the TV tapings. I don’t know what this means for Roddy/Bobby and I guess we won’t see Ishii defending the belt until Global Wars in May.

B.J. Whitmer Defeated Adam Page:

This was really the only match on the card I could not have cared less for. I pretty much tune out any and all Whitmer/Page stuff on the weekly TV shows as it doesn’t do anything for me promo-wise or wanting to see these guys go at it in the ring. The only thing I will say is that Whitmer is a pretty good heel and great at actually attracting heat, but even still I find it hard to care about him or what he’s doing. Just that I know and recognize how good he is at doing it.

Also, I’m not really too sure about Adam Page. I haven’t seen enough of him to fully judge whether he has the chops to be a top guy going forward as some see him as. To me now he’s nothing special, but I’d like to see him be put with someone his more equal wrestling-wise and for him to have a feud where he can sink his teeth in a little more with someone more of his ilk.

Hirooki Goto Defeated Dalton Castle:

Since Goto’s original opponent Ishii was thrown into that defending his TV title, Goto had to have a new opponent and it probably worked out just as well with Dalton Castle getting a prime spot against the former IGWP Championship no. 1 contender. They had a really great match with a lot of strength moves being used, especially by Castle who showed no struggle putting his signature suplexes on the hefty Goto. I would’ve liked to have seen Castle win, since everybody loves him, all the other NJPW stars won and the company seems to slowly but surely be moving him up the card, but it’s not the worst to have him lose as he still looked fantastic in defeat and it’s not really going to do anything to his status.

Alex Shelley Defeated Christopher Daniels:

This was a really great match, too, as expected from two fantastic wrestlers who have come all the way from TNA and putting on great X division matches. This was really all to set up the reunited of the Moto City Machine Guns with Chris Sabin coming out and turning face to align with Shelley, and also helping him to get the win. This obviously sets up a feud between the newly reformed MCMG and The Addiction, which should result in some fantastic tag bouts.

Hiroshi Tanahashi and Michael Elgin Defeated The Briscoes:

This was definitely the second best match of the night (behind the six-man tag) and it makes sense since it’s hard to find any better veteran journeyman workers like Tanahashi/Elgin and the Briscoe brothers. I absolutely love the Tanahashi/Elgin pairing, they seem so different, yet so perfect for each other and put in some great collaborative work as the best babyface tag team out there for my money right now. I heard some thoughts that they might challenge for the NJPW tag titles, which would be a fun program. Also, I’m no doctor, but Tanahashi’s shoulder looks pretty damn healed and he showed no issues with it or shied away from it at all. If it wasn’t already apparent that dude is the Japanese John Cena, he’s apparently got his freakish fast-healing skills as well.

It’s kinda crazy to me that Jay Briscoe had one of the biggest and longest ROH World title reigns and was the top guy in the company and then as soon as he lost to Lethal he was eventually just down doing random tag matches with his brother. I wonder what the plans are with him, if it’s just a holding pattern for now, as he seems like too good of a guy just to be stuck doing largely nothing matches. Granted, he’s been with the company forever and done it all, so who knows.

Kazuchika Okada Defeated Moose:

I definitely can’t say I was really looking forward to this because I couldn’t believe they booked this match, not only because it was the IWGP champ against Moose, but because Okada and Moose had such different style that I didn’t think anything that good would come out of it. It was actually pretty good, though! It wasn’t amazing or anything, but definitely not as bad or boring as I expected it to be. I mean, Moose is big obviously and also very athletic, which he did well to utilize to keep up pace with Okada and thus never devolved into a “big lug versus small guy” fight, and actually had a pretty nice pace to it. It was probably Moose’s best match he’s had and really you’d assume only good things would come out of this since it was actually pretty good, but I guess if you’re getting booked in a singles match with Okada in the first place you’re doing something right.

The Elite Defeated Kushida, ACH and Matt Sydal to retain the NEVER Openweight 6-Man Tag Team Championship:

Everybody had huge expectations of what to expect and what they wanted to see out of this match, and it’s pretty safe to safe that they were all blown out of the water. There literally wasn’t a weak link anywhere in this match between any of the six guys, the spots and staging, everything was perfect and would literally be a blur if I attempted to type out every move these guys did. Kenny Omega and the Bucks were CRAZY over and treated these dudes like gods, especially Omega who now being booked as a top guy in NJPW just overnight seems like this huge star. While The Elite got the enormous reactions, Kushida, ACH and Sydal were more than up to the task of equally them in the ring and looked great all around. My love for ACH grows by the match, it’s no question he’ my favourite guy in the company (outside of maybe Jay Lethal), and he should be star wherever he is in the next couple years.

War Machine Defeated The All Night Express to retain the ROH World Tag Team Championship:

These poor guys. Nothing could have followed that six-man tag match and as soon as this thing began it was like all the air was released from the room. The crowd was deflated as they just spent all their energy going crazy for the six guys before that they really couldn’t care less about this match. The match was no DQ which involved weapons into the melee, but that did nothing to help entice the crowd. I mean, it wasn’t the greatest match with the best guys to begin with, but it wasn’t bad, just stuck in an unfortunate spot where the guys got nothing from the crowd and seemed to reflect back the same.

Jay Lethal Defeated Adam Cole and Kyle O’Reilly to retain the ROH World Championship:

Even the world title main event seemingly was still feeling the hungover effects of the six-man match as while this thing was a bit more lively than the tag title match, the crowd was still very quiet throughout and never really gave the match any of that main event energy, with the match suffering because of it.

It was a good match, though, not an all-time classic or anything, but really good. I didn’t think they’d take the belt off of Lethal this soon, but it does feel like it might be soon and I wouldn’t be surprised if they did take it off him. Granted, I love Lethal and think he still has a ton more run left as the champ and is doing great work, so I think there’s still time with him, but it wouldn’t shock me to have him lose. I was shocked that Adam Cole took the pin and not O’Reilly, so maybe it will indeed be O’Reilly who eventually takes the belt, as he definitely has the wrestling skills, although nowhere near as good as Lethal or Cole on the mic.

O’Reilly is just so fun to watch and if you somehow think technical wrestling is boring, Kyle is never not boring and always has some flair with his chain wrestling. One of the best spots was when O’Reilly had both Lethal and Cole in a submission at the same time.

I’m not really sure how this review came off, but overall I wasn’t really all that enamored with the show. It wasn’t bad, but didn’t really leave me with anything all that positive going forward out of it outside of the six-man tag match. It feel into good, not great, territory, something that as I mentioned above I don’t think ROH really has that liberty to put on something just good and not all that memorable. The year is early, though, and I really don’t see any reason why this year shouldn’t be as good as the last as they got a lot of fundamental pieces to build off. Their TV taping set got a massive upgrade with a new lighting grid and a whole new entrance stage, so they definitely are trying on all ends to make the product as appealing visually as possible (I never had an issue with it before, since I kinda like that gritty, dingy look, but I get how people would be turned off by it). ROH and NJPW are probably my two favourite companies, and not coincidentally the two companies I have the most trust in when it comes to booking matches and creating long-term angles and thus serving their characters. That’s why when they don’t hit it out of the park I’m more forgivable on one hand, but on the other it continually seems like in this day and age with all the competition out there’s becoming less and less of a safety net.

‘Lost’: Season 6 Review

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Welp, here we are at the end of Lost and I can’t help but feeling underwhelmed with similar feelings to how season 5 left me. It really sucks watching this show that I dug so much in the first three seasons fall apart so much to this degree that it literally doesn’t feel like I’m watching the same show anymore. Legit, the first few seasons of the show feel like such a different more focused and engaged show, while these last few seasons have felt so aimless and broad to a fault. I think episode to episode the season doesn’t work that well, but at least in the grand picture it works better than the previous season as there’s definitely more of a defined plot line and goal since they knew this was the last season and they had to wrap things up as best as possible.

The mysteries and how the show wrapped up was fine enough for me, especially with how deep they dug themselves into this hole, but they still had too many balls in the air and made things way too convoluted with parsing out the history of the island and how everything came to be, especially because all this stuff had really been introduced this season, while having it been throughout the show would’ve been a different story, now it just feels like adding on unnecessary layers to an already deeply layered show. The flash-sideways things were an interesting tactic to take in their format that they’ve always had, and really just seemed like a device for them to have their cake and eat it too with a way to have these people whose relationships were broken up be rekindled or redeveloped through these “magical” means.

The thing I enjoyed the most was finally cemented Locke as the pre-eminent bad guy, or at least his physical body, as the show has been teasing the whole series the many sides of Locke and the lengths he’ll go to do whatever he feels need to be done. So, it felt very natural and a nice progression and pay off for him to finally slip into that role and actually not only be a skilled bad guy, but someone who had history with the entire group, creating some more serious meaning with his place as the antagonist. It could’ve been worked better and not be so abrupt and been parsed a little better over the last few seasons, but that’s the biggest problem with this season (abruptness and throwing things at the wall before the show’s done for good), so it’s understandable in the grand scheme of the season since that effected everything.

I really didn’t want it to, but two seasons is a lot to ignore when shaping my thoughts about how much I enjoyed a six season television series. I really enjoyed the first three seasons, thought the fourth season was okay, especially with it being put under the writer’s strike constraints it did, but really didn’t like the fifth and sixth season due to how unnecessary they were, how much they spun out and convoluted the mythology and narrative of the show and how much they seemingly through out the window or just invented that totally undermined what the show previously was, thus making the show feel like something completely different and unrealistic to what it started as. I firmly believe this show could’ve been wholly fantastic and should’ve ended with three seasons if they tinkered things, or just as great with a little bit of re-structuring to fit in four seasons and make that fourth season really mean something. I realize there was outside pressures, and it was a popular show that people demanded more of, but it’s a shame that the original conceit of the show only happened to fit in about three seasons it seemed. Where the first seasons felt so naturally of a show building slowly up off the last one, using ideas and slowly elevating the show in its narrative, mythology and character relationships, the last few seasons just felt like a tornado of busyness and trying to get everything in that it felt like them trying to synthetically make this show great again in a small amount of time where the greatness of the show in its original sense was the slow burn and layering of all these elements until they would naturally combust. I’ll still think fondly on the show, albeit with some reservations, and it’s possible the last few seasons could play better with some distance. The strength of the former part of the series over the latter and how well it was executed remains some of the best television I’ve seen in world-building and guarantees that the missteps of the final seasons will hurt my thoughts of the show as a whole, but not entirely damage the grand heights it achieved throughout its run.